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1. Broadway by Kantor, Michael Publication: U.S.A PBS Home Video 2004 . 3 videocassette(ca.360 min.) sd., col. and b&w 1/2 in. , Closed-captioned VHS | Contents: 1, Episode one: Give my regards to Broadway(1893-1927) episode two: Syncopated city(1920-1933) 2, episode three: I got plenty of nuttin'(1929-1942) episode four: Oh, what a beautiful mornin'(1943-1960) 3, episode five: Tradition(1957-1979) episode six: Putting it together(1980-present) Date: 2004 Availability: No items available:

2. Justice : What's the Right thing to do? / Michael J Sandel; Loen Kelley; Harvard University.; WGBH Educational Foundation.; American Public Television. by Sandel, Michael J Publication: [United States] : Distributed by PBS Distribution, 2009 Date: 2009 Availability: No items available:

3. A century of quilts by Gorman, Laurie A. Publication: [Alexandria, Va.] PBS Home Video 2004 . 1 videocassette(ca.77 min.) sd., sol. 1/2 in. , Closed-captioned VHS | Celebrates the art of quilting by featuring selections from the best 100 American quilts of the 20th century, the stories behind their creation and the quilters as they work. Date: 2004 Availability: No items available:

4. The American president : a matter of destiny   Publication: PBS DVD Video 2000 . 120 mins. : color , Episode One: Family Ties J.Q. Adams B. Harrson, F. Roosevelt, Kennedy. The last thing that the Founding Fathers envisioned was a hereditary chief executive. After all, they had fought a war in part to rid themselves of a king. Yet, power inevitably passes from generation to generation, and several families have returned to the White House as though born to it. The stories of the four men profiled in this hour reveal both the blessings and the curses of inherited power. Episode Two: Happenstance Tyler, Fillmore, A. Johnson, Arthur, Truman. Nearly one in five American presidents has died in office. The vice presidents who succeeded then were often chosen for the ticket less because they were equal to the most powerful office in the land than because they provided some electoral advantage. What happens when such a man takes office--frequently facing widespread conviction that he is unworthy of the powers he inherits? Date: 2000 Availability: No items available:

5. The American president : politics and the presidency   Publication: PBS DVD Video 2000 . 120 mins. : color , Episode Three: an Independent Cast of Mind J. Adams, Taylor, Hayes, Carter. Is an independent cast of mind the best approach to the presidency? The four men profiled in this hour pursued a course that took little account of political affiliation, becoming presidents, in essence, without being politicians. Taken together, they present a cautionary tale: all had difficult presidencies, and neither of the two who sought a second term was granted one. Episode Four: The Professional Politician Van Buren, Buchanan, Lincoln, L. Johnson. In our nation's early years, taking part in political affairs was considered a duty and an honor, but not a way of life. It was not long, however, before the professional politicians, and the parties they represented, began to find their way to the White House. While the skills necessary for political success can be helpful to a president, they are not sufficient to guarantee success in the office. Date: 2000 Availability: No items available:

6. The American president : executive vision   Publication: PBS DVD Video 2000 . 120 mins. : color , Episode Five: The American Way Jefferson, Coolidge, Hoover, Reagan. It is often observed that American national identity is less a condition than an idea. What we have come t refer to as "the vision thing" is an expectation that our presidents will bring to the office a particularly strong sense of national mission. The four chronicled here may have understood the special character of America in different ways, but in all cases a belief that there was a distinctly American way of doing things guided their decisions. Episode Six: The World Stage Monroe, McKinley, Wilson, Bush. The president has no greater responsibility than representing the nation on the world stage. These four men engaged in this task at critical times in our national history and their achievements on the world stage stand as their most durable legacy. Date: 2000 Availability: No items available:

7. The American president : the candidate   Publication: PBS DVD Video 2000 . 120 mins. : color , Episode Seven: The Heroic Posture Washington, W.H. Harrison, Grant, Eisenhower. From the beginning, the presidential office has beckoned to national heroes renowned for their selfless service to their country. This affinity is especially strong for men of military fame, for the president is formally the commander-in-chief as well as symbolically the steward of the national interest. Episode Eight: Compromise Choices Pierce, Garfield, Harding, Ford. With the rise of political parties came the dawn of political compromise: nominees were selected because they were less offensive to some voters than those who might have been the best candidates. Two of the men profiled in this hour found the presidency beyond their abilities, while two proved themselves worthy of having been called to the highest office in the land. Date: 2000 Availability: No items available:

8. The American president : an office and its powers   Publication: PBS DVD Video 2000 . 120 mins. : color , Episode Nine: Expanding Power Jackson, Cleveland, T. Roosevelt, Nixon. Though the powers of the presidency have expanded with the growth of the nation, the process has been anything but smooth. These four presidencies are benchmarks in the development of executive power. Three stretched the office to its constitutional limits; the fourth overstepped those limits and brought on a new era of presidential weakness. Episode Ten: The Balance of Power Madison, Polk, Taft, Clinton. The final episode examines presidential leadership in an era of an increasingly divided government. The American presidency was conceived as one part of a larger system of institutions, and its effectiveness rests in part upon a good measure of cooperation among the branches. The presidents arrayed in this episode suggest four different conceptions of governance within a constitutionally structured balancing act. Date: 2000 Availability: No items available:

9. Broadway: the American musical v. 1 with English/Chinese subtitles.   Publication: PBS Video 2004 . 120 min. ; color. , BROADWAY: THE AMERICAN MUSICAL is a new six-part documentary series that chronicles the Broadway musical throughout the 20th century and explores the evolution of this uniquely American art form. Episode one: Give My Regards to Broadway (1893-1927) Featured Musicals : "In Dahomey", "Little Johnny Jones", "Show Boat", "The Black Crook", "The Great Ziegfeld", "Ziegfeld Follies" When Florenz Ziegfeld Jr. first hit New York in 1893, the intersection of Broadway and 42nd was nobody's idea of "the crossroads of the world." But by 1913, "'The Ziegfeld Follies' really were an amalgamation of everything that was happening in America, in New York, at that time," says writer Philip Furia. "Flo Ziegfeld was like the Broadway equivalent of the melting pot itself." Ziegfeld's story introduces many of the era's key figures: Irving Berlin, a Russian immigrant who became the voice of assimilated America; entertainers like Jewish comedienne Fanny Brice and African American Bert Williams, who became America's first "crossover" artists; and the brash Irish American George M. Cohan, whose song-and-dance routines embodied the energy of Broadway. This is also the story of the onset of World War I and the Red Summer of 1919, when labor unrest swept the nation -- and Broadway. The episode culminates in Ziegfeld's 1927 production of Jerome Kern and Oscar Hammerstein II's far-sighted masterpiece, "Show Boat." With the Great Depression, the Ziegfeld era became a memory. Episode two: Syncopated City (1919-1933) Featured Musicals "A connecticut Yankee", "George White Scandals" ,"Good News", "Lady Be, Good!", "Runnin' Wild", "Sally", "shuffle Along", "The Garrick Gaieties", "Tip-Toes" Gossip columnist Walter Winchell gave Broadway a nickname that becomes synonymous with all of New York: "It is the Big Apple, the goal of all ambitions, the pot of gold at the end of a drab and somewhat colorless rainbow." With the advent of Prohibition and the Jazz Age, America convulsed with energy and change, and nowhere was the riotous mix of classes and cultures more dramatically on display than Broadway. "There was this period in which everybody was leaping across borders and boundaries," says director/producer George C. Wolfe. "There was this incredible cross-fertilization, cultural appropriation." While brash American women flapped their way to newfound freedoms, heroines of Broadway like Marilyn Miller became a testament to pluck and luck. It was the age of "Whoopee" and the "Charleston," "Runnin' Wild" and the "George White Scandals." In 1921, a jazz show like no other arrived: "Shuffle Along," which featured a rich, rousing score by Noble Sissle and Eubie Blake, reopening Broadway's doors to black artists. Unique talents like the Marx Brothers and Al Jolson -- a Jewish immigrant and Prohibition's biggest star -- rocketed to stardom. The Gershwin brothers, the minstrels of the Jazz Age, brought a "Fascinating Rhythm" to an entire nation. Innovative songwriting teams like Richard Rodgers and Lorenz Hart ignited a new age of bright melodies and clever lyrics with the massive hit "Manhattan." But as the Roaring Twenties came to a close, Broadway's Jazz Age suffered the one-two punch of the "talking picture" and the stock market crash, triggering a massive talent exodus to Hollywood and putting an end to Broadway's feverish expansion. Date: 2004 Availability: No items available:

10. Broadway: the American musical v. 2 with English/Chinese subtitles   Publication: PBS Video 2004 , BROADWAY: THE AMERICAN MUSICAL is a new six-part documentary series that chronicles the Broadway musical throughout the 20th century and explores the evolution of this uniquely American art form. Episode 3: I Got Plenty O'Nuttin' (1929-1942) Featured Musicals are "Americana", "anything Goes", "As Thousands Cheer", "Gay Divorce" "Girl Crazy", "Of Thee I sing", "Pal Joey", "Paris", "Porgy and Bess", "The Cradle Will Rock", "This is the Army" The Great Depression proved to be a dynamic period of creative growth on Broadway, and a dichotomy in the musical theater emerged. Productions like Cole Porter's "Anything Goes" offered glamour and high times as an escape, while others -- such as "Of Thee I Sing," which satirized the American political system, and the remarkable WPA production of "The Cradle Will Rock," about a steel strike -- dealt directly with the era's social and political concerns. When Bing Crosby recorded "Brother, Can You Spare a Dime," the doleful Broadway ballad took the hit parade by surprise. "This song spoke to the hearts, and to the minds, and to the emotions and thoughts, of everybody who lived during that depression," says lyricist Yip Harburg's son, Ernie. Rodgers and Hart created a string of new shows, including the sexually frank "Pal Joey," a genuine departure that starred newcomer Gene Kelly. In the gloom of the depression, Porter offered Broadway audiences such unforgettable songs as "You're the Top," which served as an effervescent tonic to a weary nation. In 1935, George Gershwin created his epic masterpiece, "Porgy and Bess," bringing a hybrid style of folk opera to Broadway. The onset of World War II galvanized the country and America's troubadour, Irving Berlin, rallied the troops with "This Is the Army." Episode 4: Oh, What a Beautiful Morning (1943-1960) Featured Musicals are "annie Get Your Gun", "Carousel", "Guys and Dolls", "Kiss Me, Kate", "My Fair Lady", "Oklahoma!","On the Town", "Sound of Music", "South Pacific" The new partnership of Richard Rodgers and Oscar Hammerstein II changed the face of Broadway forever, beginning with the record-breaking "Oklahoma!" in 1943, featuring a landmark ballet by Agnes de Mille. "Carousel" and "South Pacific" then set the standard for decades to come by pioneering a musical where story is all-important. For challenging the country to confront its deep-seated racial bigotry, "South Pacific" won the Pulitzer Prize. In "On the Town," an exuberant team of novices -- Leonard Bernstein, Betty Comden, Adolph Green, and Jerome Robbins -- captured the energy, humor, and pathos of New York City during World War II. Irving Berlin triumphed again with "Annie Get Your Gun," featuring Ethel Merman and the unofficial anthem of the American musical theater, "There's No Business Like Show Business." In shows like "Guys and Dolls," "My Fair Lady," and "Kiss Me, Kate," sophisticated adaptations of literary material prevailed. "Cole Porter led the way in writing adult songs about love and sex," says theater historian Robert Kimball. "He defied the censors. He, probably more than any other songwriter in this century, made it possible for the openness that we have in all popular music." In 1956, Alan Jay Lerner and Frederick Loewe triumphed with "My Fair Lady," featuring an 18-year-old Julie Andrews. TV's THE ED SULLIVAN SHOW became the most important showcase for Broadway musicals. Yet with the death of Oscar Hammerstein II soon after the premiere of "The Sound of Music" in 1959, the curtain began to lower on a golden age. Date: 2004 Availability: No items available:

11. Broadway: the American musical v. 3, with English/Chinese subtitles.   Publication: PBS Video 2004 , BROADWAY: THE AMERICAN MUSICAL is a new six-part documentary series that chronicles the Broadway musical throughout the 20th century and explores the evolution of this uniquely American art form. Episode 5: Tradition (1957-1979) Featured musicals are "A Chorus Line", "Cabaret", "Chicago","Company", "Fiddler on the Roof", "Hair", "Hello, Dolly!", ""Pacific Overtures","Sweeney Todd", "The Pajama Game", "West Side Story" West Side Story" not only brought untraditional subject matter to the musical stage, it ushered in a new breed of director/choreographer who insisted on performers who could dance, sing and act. But by the time Jerome Robbins' last original musical, "Fiddler on the Roof," closed after a record run of 3,242 performances in 1972, the world of Broadway had changed forever. Rock 'n' roll, civil rights, and the Vietnam War ushered in new talents, many trained by the retiring masters, taking musical theater in daring new directions with innovative productions like "Hair," the first Broadway musical with an entire score of rock music. The adult narrative of Stephen Sondheim's "Company" plunged the musical into a new era. Hal Prince's conceptual staging showcased John Kander and Fred Ebb's dynamic score for "Cabaret." Bob Fosse captured a sexuality and cynicism ahead of its time with "Chicago," but it was director/choreographer Michael Bennett who spearheaded the biggest blockbuster of all -- "A Chorus Line." "It totally changed the musical theater," says Shubert Organization chairman Gerald Schoenfeld. "It was a catalyst for the improvement of this area, and of course this area is now the most desirable area in New York." With Sondheim's "Sweeney Todd," the Broadway musical reached unexpected new heights in style and material with a tale of slaughter and cannibalism set in 19th-century London. By the end of the 1970s, Broadway became the centerpiece of a remarkably successful public relations campaign that would lure tourists to New York for years to come. Episode 6: Putting it together Featured Musicals are "42nd Street", "Cats", "La Cage aux Folles", "Rent", "Sunday in the Park with George", "The Lion King", "The Producers", "Wicked" Legendary as the "Abominable Showman," notorious producer David Merrick reconquered Broadway in 1980 with a smash adaptation of the movie musical "42nd Street." But soon the biggest hits were arriving from an unexpected source -- London. Producer Cameron Mackintosh redefined the business of show business as "Cats," "Les Miserables," "The Phantom of the Opera," and "Miss Saigon" became international blockbusters. Sondheim's "Sunday in the Park with George" defied categorization while Jerry Herman's crowd-pleasing "La Cage aux Folles" had two men sing a love song to each other for the first time on the stage -- a breakthrough soon overshadowed by the decimation of Broadway by AIDS. Yet with Julie Taymor's triumphant reimagining of "The Lion King," Disney led an astonishing resurrection of 42nd Street. Composer Jonathan Larson scored a bittersweet victory with the rock-flavored "Rent," and the old-style musical was reborn in Mel Brooks' "The Producers," which became the first must-see musical comedy in decades, despite a ticket price of $480 for each VIP seat. After 9/11, Broadway -- like the rest of America -- emerged from the darkness. Broadway's corporate dominance continues to grow, as evidenced by new shows such as "Wicked," the biggest hit of the 2003-04 season, with 10 Tony nods. Date: 2004 Availability: No items available:

12. Ernest Hemingway: rivers to the sea   Publication: PBS 2005 . 90 min. ; color & b/w , More than 40 years after his death, Hemingway is one of the most widely read and written about American authors. Many of his works are still in print, some in as many as 20 languages, including A Farewell to Arms, The Sun Also Rises and For Whom the Bell Tolls. It is the art of Hemingway's story telling that forms the heart of this film, the point of departure from which Hemingway's work is uniquely explored. Date: 2005 Availability: No items available:

13. Willa Cather: the road is all   Publication: PBS 2005 . 90 min. ; color & b/w , In 1883, the young Cather was plucked from her luxurious home in Virginia and dropped into the tall grass prairies of Nebraska, an experience that exhilarated her and became the force behind all of her great novels - O Pioneer, My Antonia, Death Comes for the Archbishop and the Pulitzer Prize winning One of Ours. She has been a great inspiration to women writers and women readers, rediscovered in every decade for the past 100 years. Date: 2005 Availability: No items available:

14. Destionation America: the people and cultures that created a nation.   Publication: PBS 2005 . 220 min. ; color & b/w , The Immigrants come from all over the world. Their faces have changed, not their reason: flight from poverty, persecution, war. Drawn by the shimmering promise of America, immigrants have been coming since America’s beginning, for a better life, for their own survival. Date: 2005 Availability: No items available:

15. American Experience: FDR, part one   Publication: PBS 1994 . 110 min. ; color & b/w , Polio at age 39, president at age 50. Explore the public and private life of a determined man who steered this country through two monumental crises: the Depression and World War II. FDR served as president longer than any other, and his legacy still shapes our understanding of the role of government and the presidency. Date: 1994 Availability: No items available:

16. American Experience: FDR, part two   Publication: PBS 1994 . 140 min. ; color & b/w , Polio at age 39, president at age 50. Explore the public and private life of a determined man who steered this country through two monumental crises: the Depression and World War II. FDR served as president longer than any other, and his legacy still shapes our understanding of the role of government and the presidency. Date: 1994 Availability: No items available:

17. Art: 21 - art in the twenty-first century, season one: place, spirituality, identity, consumption   Publication: PBS 2003 . 220min.; color. , It is the only series on television to focus exclusively on contemporary visual art and artists in the United States, and it uses the medium of television to provide an experience of the visual arts that goes far beyond a gallery visit. Fascinating and intimate footage allows the viewer to observe the artists at work, watch their process as they transform inspiration into art, and hear their thoughts as they grapple with the physical and visual challenges of achieving their artistic visions. SEASON ONE: At the dawn of the 21st century, American artists are taking self-expression and the artistic process into uncharted territory. Today's artists are engaging the world and their audiences in vital and surprising new ways. They use an enormous variety of media and draw on sources ranging from pop culture and politics to ethnic heritage, classical models, and deeply personal life experiences. The artists featured in the series represent a cross-section of contemporary art practices and philosophies, and hail from different regions of the United States. Season One of Art:21—Art in the Twenty-First Century introduces 21 artists to a nationwide audience. Date: 2003 Availability: No items available:

18. Art: 21 - art in the twenty-first century, season two: stories, loss and desire, time, humor   Publication: PBS 2003 . 220 mins. ; color. , It is the only series on television to focus exclusively on contemporary visual art and artists in the United States, and it uses the medium of television to provide an experience of the visual arts that goes far beyond a gallery visit. Fascinating and intimate footage allows the viewer to observe the artists at work, watch their process as they transform inspiration into art, and hear their thoughts as they grapple with the physical and visual challenges of achieving their artistic visions. SEASON TWO: Contemporary art breaks out of the confines of museums and art galleries in Season Two of Art:21–Art in the Twenty-First Century. Shattering the myth of the artist as an isolated genius, this unique series introduces television audiences to 16 artists working in America today. Art:21 is the only series on television to focus exclusively on contemporary art, and it uses the medium to provide an experience of the visual arts that goes far beyond a gallery visit. Fascinating and intimate footage allows the viewer to observe the artists at work, watch their process as they transform inspiration into art, and hear their thoughts as they grapple with the physical and visual challenges of achieving their artistic visions. Date: 2003 Availability: No items available:

19. Art: 21 - art in the twenty-first century, season three   Publication: PBS 2005 . 220 min. ; color. , It is the only series on television to focus exclusively on contemporary visual art and artists in the United States, and it uses the medium of television to provide an experience of the visual arts that goes far beyond a gallery visit. Fascinating and intimate footage allows the viewer to observe the artists at work, watch their process as they transform inspiration into art, and hear their thoughts as they grapple with the physical and visual challenges of achieving their artistic visions. EPISODE THREE: What goes on inside the minds of today’s most dynamic visual artists? How do they make the leap between insight and finished object? What inspires artists to break through the barriers of convention to arrive at new ways of seeing? These and other intriguing questions are explored in Season Three of “Art:21—Art in the Twenty-First Century,” the only series on national public television to focus exclusively on contemporary art and the people who create it. Like the great biennial art exhibitions that regularly showcase current artistic activity, Art:21 returns to television every two years to profile working artists who build our living culture with each painting, sculpture, photograph or installation that they create. | This season, David Alan Grier, Isabella Rossellini, Sam Waterston and Grant Hill introduce the theme at the beginning of each hour. Date: 2005 Availability: No items available:

20. Echoes from the White House: a celebration of the bicentennial of America's mansion   Publication: PBS 2001 . 60 mins. ; color. , Hosted by Martin Sheen, this documentary celebrates the 200th anniversary of the White House with a look at the stories, both public and private, that have unfolded within its walls. The program reincarnates two centuries of power-plays, tragedies, crises, celebrations and victories through the words of those involved. Date: 2001 Availability: No items available: